[Το κείμενο διατίθεται μόνο στα Αγγλικά] Born in São Paulo, ###b###Celia Eid###/b### is graduated by São Paulo's University Arts and Communication College. Between 1978 and 1984 she lives in France and in Germany, where she participates in several expositions. In 1984, she returns to her mother land to become an illustrator and a graphic designer. She works with the mainstream newspaper O Estado de São Paulo and with several publishers: Scipione , Unesp ,...[Το κείμενο διατίθεται μόνο στα Αγγλικά] Born in São Paulo, ###b###Celia Eid###/b### is graduated by São Paulo's University Arts and Communication College. Between 1978 and 1984 she lives in France and in Germany, where she participates in several expositions. In 1984, she returns to her mother land to become an illustrator and a graphic designer. She works with the mainstream newspaper O Estado de São Paulo and with several publishers: Scipione , Unesp , Edusp . In 1993, she is rewarded with the Prix Jabuti for the years' best book cover and the best graphic project. In 1994 she publishes her first comic book: Penare.
After a two years contract at Casa Blanca post production company, she turns her work to the numeric arts and animated motion pictures. She attended two formations in the United States, one in Aurora Systems in Santa Clara, and the other at the Visual Computing Institute in Houston. In 1997 she moves to France, where her carrier takes a new dimension. Working mostly on short songs of contemporary music, interpreted at the most part by Aleph musical group, her animations acknowledge a rising success. Arrets Frequents, 12 short animations on several composers' music, Le rire du Coq, music by Dominique Clement, and Gymel, music by Sebastien Beranger, were presented at several festivals of numeric art and music throughout the world. Gymel was broadcasted by ElecktraMusique (FreeTV)
In 2005, she is rewarded with the Fluxus On-line Festival jury price for the best interactive motion picture with her movie Se taire, si ça vous chante.
Aside her personal projects, she realized animated motion workshops for children in partnership with institutions such as Le Forum des Images and Le Cube, supported by the French Ministry of Education. She also created the stage decoration for dance shows from the Cie Picomètre . Since 1997 she is one of the collaborators of the literature magazine Passage d'Encres . She was also the magazine's special guest for its 30 th edition.
filmographie
Gymel - musique Sébastien Béranger par l'ensemble Aleph Sound Eletric 07 - Dundalk - Irlande
Sound ImageSound V - 2008 - Stockton- California
Festival Champs Libres 2008 - Strasbourg - France
Expo Brighton 2008 - Angleterre
File.org 2008 - São Paulo - Brésil Videoholica 2008 - Varna - Bulgarie
###b###Le rire du Coq - musique Dominique Clément par l'ensemble Aleph ###/b###
Istanbul International Animation Festival 2007 - turquie
Kinofest - Bucharest - Roumanie - 2007
Emirates Film Festival - 2007
File Festival 2006
Fluxus Festival 2006
###b###Arrêts Fréquents - musique Plusieurs par l'ensemble Aleph###/b###
Time of Music 2005 - Filande File Festival 2005 - Brésil
Se taire, si cela vous chante
Prix « Animation Interactive » Fluxus 2005 - Bresil FMX 06 - Stuttgart Ce n'est pas facile Fifi festival 2003 - France
File Festival 2005 - Brésil
After a two years contract at Casa Blanca post production company, she turns her work to the numeric arts and animated motion pictures. She attended two formations in the United States, one in Aurora Systems in Santa Clara, and the other at the Visual Computing Institute in Houston. In 1997 she moves to France, where her carrier takes a new dimension. Working mostly on short songs of contemporary music, interpreted at the most part by Aleph musical group, her animations acknowledge a rising success. Arrets Frequents, 12 short animations on several composers' music, Le rire du Coq, music by Dominique Clement, and Gymel, music by Sebastien Beranger, were presented at several festivals of numeric art and music throughout the world. Gymel was broadcasted by ElecktraMusique (FreeTV)
In 2005, she is rewarded with the Fluxus On-line Festival jury price for the best interactive motion picture with her movie Se taire, si ça vous chante.
Aside her personal projects, she realized animated motion workshops for children in partnership with institutions such as Le Forum des Images and Le Cube, supported by the French Ministry of Education. She also created the stage decoration for dance shows from the Cie Picomètre . Since 1997 she is one of the collaborators of the literature magazine Passage d'Encres . She was also the magazine's special guest for its 30 th edition.
filmographie
Gymel - musique Sébastien Béranger par l'ensemble Aleph Sound Eletric 07 - Dundalk - Irlande
Sound ImageSound V - 2008 - Stockton- California
Festival Champs Libres 2008 - Strasbourg - France
Expo Brighton 2008 - Angleterre
File.org 2008 - São Paulo - Brésil Videoholica 2008 - Varna - Bulgarie
###b###Le rire du Coq - musique Dominique Clément par l'ensemble Aleph ###/b###
Istanbul International Animation Festival 2007 - turquie
Kinofest - Bucharest - Roumanie - 2007
Emirates Film Festival - 2007
File Festival 2006
Fluxus Festival 2006
###b###Arrêts Fréquents - musique Plusieurs par l'ensemble Aleph###/b###
Time of Music 2005 - Filande File Festival 2005 - Brésil
Se taire, si cela vous chante
Prix « Animation Interactive » Fluxus 2005 - Bresil FMX 06 - Stuttgart Ce n'est pas facile Fifi festival 2003 - France
File Festival 2005 - Brésil
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